HomeFeaturesFlintlock: The Siege Of Dawn
The combat in Flintlock: The Siege of Dawn feels a bit floaty, but at least its café staff have ten handsHow do you take your soulslike?
How do you take your soulslike?
Image credit:Rock Paper Shotgun / Kepler Interactive
Image credit:Rock Paper Shotgun / Kepler Interactive
All this is to say that Flintlock is set in a strange world at war with the gods. As the explosives-happy sapper Nor, you may have accidentally unleashed a bunch of angry deities into the countryside and cities that surround a muddy battlefield you’ve been stuck in. The job, then, is clean-up.
Flintlock: The Siege of Dawn | Steam Next Fest Demo TrailerWatch on YouTube
Flintlock: The Siege of Dawn | Steam Next Fest Demo Trailer
Amid the cinematic scene-setting and swift character-culling of the opening, you’ll be introduced to all the running and sliding and triple-jumping that will later help to navigate open, multi-route mountain towns and city streets. There is so much mobility and platformy navigation that it often feels like an action adventure withBloodbornecombat and soulsy infrastructure, as opposed to sharing the gloomy groundedness of Fromsoft’s dead and dying worlds. Sekiro is probably the closest comparison, really. It too likes to allow the player to clamber around on the roofs and ledges above enemies before committing to a fight.
Image credit:Rock Paper Shotgun / Kepler Interactive
The axe-hacking and pistol shootin' looks stylish and fierce, but so far it also feels to me less clean, less sure-footed than, say, Bloodborne or any of the other major Souls. The developer’s previous game Ashen, for all its qualities, also had this feeling to it at times: a wavering imprecision that’s hard to pin down. Maybe I find it hard to read the enemy animations. Maybe I’m used to a longer window to “cancel” a regular attack into another attack or parry. Whatever it is, it threw me off during the demo.
Image credit:Rock Paper Shotgun / Kepler Interactive
Enki himself is another sweetly designed beast. He’s like a miniaturised Trico fromThe Last Guardian, with fennec fox ears sensitive to loud noises (he complains when you set off a charge of black powder at one point, poor wee fella). But he can do some damage in fights. Aside from the slorping curse build-up, he can automatically taunt and distract enemies when you’re outnumbered, and can infrequently unleash a huge area effect blast. There’s a whole skill tree devoted to his tricks, but I didn’t get to see anything else beyond the basics.
There are other subtleties that build up to make an interesting soulsy ramble. The currency of experience points you collect - the notsouls of this game - is simply called “reputation”. You gain reputation with each kill, but on top of that each successful strike against an enemy will slap on a bonus multiplier. That means every axe crack and shot you take, you’ll see a number on your screen ticking up. 4% extra reputation. 10% extra reputation. 20% extra reputation. Amazing. Until you get whacked. At that point, the multiplier is cancelled, your pride is bruised, and you only cash in the basic, low number of notsouls.
Image credit:Rock Paper Shotgun / Kepler Interactive
Getting the most experience from fights therefore requires never getting hit and dispatching your enemy as swiftly and cleanly as you can. Our hero Nor even remarks on this at one point, saying, yes, she’s a killer, but it’s always better to kill someone fast, with as little pain as possible. If you do fluff a fight, experience will still trickle in, but the dropped multiplier is a good “I’m missing out” incentive to drive your desire towards a perfect fight. Of course, if you eat dirt, usual souls rules apply. You lose everything, and have to get back to your point of death to reclaim your literally rubbished reputation.
There’s more to it. Grenades to toss. Materials to gather. Long muskets to fire. Ancestors to honour. Plus a generous shortcut philosophy that looks promising (but will be hard-pressed to beat the delectable level design of The Surge 2). But I’ll let youexplore all that in the demo yourself, if you want. Weirdly, I’m left feeling its action adventure stylings more than the souls ones. It reminds me ofPlague Taleseries, in the sense that this too feels like a smaller studio aiming for blockbuster production levels.
Image credit:Rock Paper Shotgun / Kepler Interactive
Sometimes they seem to hit that mark, as in the gorgeous animation of Enki’s foxy flight. Other times they miss it, as in the jarring transition that occurs after one boss fight (I was just in a burning village, now the village is immediately alive and populated). Or in the fact that your musket seems to shoot a full half-metre off the crosshair. This is an early build, so glitches are expected. But it’s worth saying I have seen a few more progress-halting bugs than I’d like for a game that is coming out, gulp, next month.
Then again, I’ve seen enough freaky creature design and handy shortcuts to keep me intrigued. Plus I haveserious good will stored up from Ashen, enough to give Flintlock’s gun-toting air-dashing the benefit of a fuller playthrough. I’ll sip some coffee as I wait.
