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I’m not sure I’ll ever leave the prologue area in Skull And BonesWhy ask for the Ubiworld?
Why ask for the Ubiworld?
Image credit:Ubisoft/Rock Paper Shotgun
Image credit:Ubisoft/Rock Paper Shotgun
Image credit:Ubisoft/Rock Paper Shotgun
Having to reverse course wasn’t entirely unwelcome. You see, I have a thing - please don’t call it a fetish - for never leaving opening areas in videogames. Recent sources of shame includeScorn, the Giger-inspired first-person adventure with wibbly grafted-on shooting elements. I have never completed its very first properpuzzle, which involves moving massive alien chicken nuggets around a vertical board to power up a door. Instead, I only picked at the puzzle before retreating into the surrounding tunnel system, with its bevy of biomechanical fixtures pulsating to either side or squelching underfoot, and its soothing absence of NPCs.
Scorn, you might have read,isn’t so hot on the old gunplay front, even if the guns themselves are a gristly delight. Hence, my disinclination to cross the threshold into areas with active threats. On a similar note, I’m reluctant to enter the wider world of Skull And Bones because there is a whole bunch of looting, progression and other live service gubbins out there, and I am on record as being very tired of these things. As regards Ubisoft specifically, I think those broader structural elements often overwrite the undeniable pastoral splendour of many Ubisoft gameworlds. So it was kind of a relief to be thwarted, and obliged to spend some time enjoying the scenery without any further busywork to attend to while the remaining 20% of the game downloaded.
What if Ubisoft devoted their impossible resources to the creation of a gentler, exploratory simulation likeA Short Hike? God, I think that would be marvellous. You can see how it might work in the wonderful intricacy of NPC life in an Ubisoft open world. I wrote an Assassin’s Creed review on here back in the day (I won’t link to it because it’s probably really awful and I don’t want to remind myself) in which I talked about the experience of following exactly one travelling labourer across the countryside to a city. In that city, there was a simulation of metalworking that I was able to trace to the sale of arrowheads, I think, in another town right across the map. God, can you imagine how charming and beautiful Ubisoft’s open worlders would be - how restful and majestic - if they’d only quit looting, levelling and live-servicing and dedicate their narratives and designwork to such things.
Skull and Bones: Launch TrailerWatch on YouTube
Skull and Bones: Launch Trailer
It would be deeply frivolous to read Skull And Bones opening with a shipwreck scene as some kind of metaphor for the game’s ownextraordinarily rocky development, which has proceeded from oneredesignandleadership reshuffleto the next amidst changing industry trends, pandemic conditions andaccusations of misconduct and toxicity at several Ubisoft studios. It would be powerfully facetious to point at that huge, ruined vessel in the centre of the archipelago and declare “thus the grim fate of a triple-A live service game that has fallen behind the times”.
But I do want to sincerely draw a comparison in one respect, in that I hope the cathartic piratical merry-making on show in the shallows is a portrait of rank-and-file developers at Ubisoft Singapore and supporting studios, as their troubled project finally hits the open water. I don’t want you all to drink yourselves into a stupor, mind you. I’m not sure shark-hunting qualifies as workplace detox, either. But I do hope those of you who’ve been on this journey since 2013 are finally getting the chance to let your hair down.
